The Bronx Kill is the first truly successful entry in Vertigo's new manga-style crime series imprint, Vertigo Crime. This is most likely due to the fact that unlike the first two attempts, penned by popular novelists Ian Rankin and Jason Starr, the writing duties have been handed over to veteran comic book author Peter Milligan.
At first, Milligan seems like an odd choice for a crime story series, considering his notoriety for offbeat comic titles such as Shade the Changing Man and Animal Man. But he also has a lengthy history of strong storytelling with a dark edge, and he knows how to utilize the comic format to achieve the greatest possible effect. These are the skills that shine through in The Bronx Kill, and make it an engrossing (dare I say riveting?) read.
Most notable is Milligan's deft handling of the story-within-a-story device, in this case featured as the excerpts of the novel that main character Martin Keane is working on; a novel with themes and obstacles that mirror events in his own life. This kind of device can feel cheap and gimmicky when used improperly, as can when writers make their main characters authors, but with Milligan this is never a concern. While some might remark that the manuscript excerpts scattered throughout the graphic novel read more like a short story than a full-length historical crime novel, consideration for the time and space constraints of the comic format make this less a flaw in writing than a necessity of design. With that aside, Milligan's tale flows smoothly, and feels like much more than an exercise in plot-twists or a rehash of an old Law & Order rerun.
What really separates The Bronx Kill from the previous entries in this series is not only Milligan's experience with comic books, but his respect for the format; where the previous novelists seem to simplify for the comic audience (almost talking down to them), Milligan creates a level of complexity to the characters and plot that should be expected from any decent crime story. Let's hope that Vertigo Crime approaches more comic veterans in the future, and avoids trying to rack up crime-novelist celebrity credits in an effort to cross-advertise. Some more entries like The Bronx Kill, and this might become an imprint to keep an eye on.
"By the time I am through, you will all taste my brain meat." - Spider Jerusalem.
Showing posts with label Ian Rankin. Show all posts
Showing posts with label Ian Rankin. Show all posts
Monday, February 22, 2010
Thursday, January 21, 2010
Book Review: Dark Entries by Ian Rankin
There had been talk for awhile about Tartan Noir crime novelist Ian Rankin taking on the character of
Constantine for Vertigo, the prospect of which had a lot of Rankin and Constantine fans alike excited. Now that the waiting is over, the final product has turned out to be somewhat underwhelming. Rankin knows how to write, and his take on paranormal detective John Constantine is well within line with what regular fans would expect. But when it comes to the actual story, there is a lot in Dark Entries to leave the reader wanting.
Preaching the inherent evils behind the culture of reality television is nothing new, and has been almost as popular as the shows themselves since Survivor started taking over broadcast television back in 2000. Countless authors have used that type of setting as a springboard for mystery, thriller and horror novels /short stories since then. While this doesn’t mean there still isn’t fresh material to be found there, Rankin’s approach can’t help but feel a little stale. The fake shows mentioned throughout are meant to be exaggerated examples of the inanity of reality programming, but their similarity to actual shows takes the bite out of these quick swipes at social satire.
The disappointment is even greater when Rankin seems to completely ignore the existence of actual ghost-
hunting and supernatural based reality shows, and instead chooses to involve Constantine in a rather mild fear-based version of Big Brother. Things turn demonic and spiritual, of course, but in a far more contrived and roundabout way than if he had merely been tagging along on an episode of Ghost Hunters or during the filming of Paranormal Activity 2. This doesn’t seem like an unfortunate oversight as much as it does a tragically missed opportunity.
The midway twist regarding the true nature of the show would be impressive in another comic series, but unfortunately for Hellblazer fans, the reveal (not to give anything away) doesn’t take them or John Constantine anywhere they haven’t been dozens of times before. Again, it is admittedly hard to take a character from such a long-running series in a completely new direction, but when it comes to the Hellblazer franchise, the oft-visited destination of Dark Entries tends to feel more like a fallback than a plot twist.
Add to all of this Vertigo’s release of the comic in a minimalist black-and-white manga-style paperback, which feels more like a cost-savig gimmick more than an esthetic choice, and despite the talents of the author behind the book, Dark Entries ends up feeling like a rather unsatisfying light entry into the Hellblazer series.
Constantine for Vertigo, the prospect of which had a lot of Rankin and Constantine fans alike excited. Now that the waiting is over, the final product has turned out to be somewhat underwhelming. Rankin knows how to write, and his take on paranormal detective John Constantine is well within line with what regular fans would expect. But when it comes to the actual story, there is a lot in Dark Entries to leave the reader wanting.
Preaching the inherent evils behind the culture of reality television is nothing new, and has been almost as popular as the shows themselves since Survivor started taking over broadcast television back in 2000. Countless authors have used that type of setting as a springboard for mystery, thriller and horror novels /short stories since then. While this doesn’t mean there still isn’t fresh material to be found there, Rankin’s approach can’t help but feel a little stale. The fake shows mentioned throughout are meant to be exaggerated examples of the inanity of reality programming, but their similarity to actual shows takes the bite out of these quick swipes at social satire.
The disappointment is even greater when Rankin seems to completely ignore the existence of actual ghost-
hunting and supernatural based reality shows, and instead chooses to involve Constantine in a rather mild fear-based version of Big Brother. Things turn demonic and spiritual, of course, but in a far more contrived and roundabout way than if he had merely been tagging along on an episode of Ghost Hunters or during the filming of Paranormal Activity 2. This doesn’t seem like an unfortunate oversight as much as it does a tragically missed opportunity.
The midway twist regarding the true nature of the show would be impressive in another comic series, but unfortunately for Hellblazer fans, the reveal (not to give anything away) doesn’t take them or John Constantine anywhere they haven’t been dozens of times before. Again, it is admittedly hard to take a character from such a long-running series in a completely new direction, but when it comes to the Hellblazer franchise, the oft-visited destination of Dark Entries tends to feel more like a fallback than a plot twist.
Add to all of this Vertigo’s release of the comic in a minimalist black-and-white manga-style paperback, which feels more like a cost-savig gimmick more than an esthetic choice, and despite the talents of the author behind the book, Dark Entries ends up feeling like a rather unsatisfying light entry into the Hellblazer series.
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